Return of the Prodigal Son A pervading sense of quietness, peace, and clemency gormandize this scene from the biblical parcapable. The prodigal son has entirely returned from squander his inheritance, wearing tattered clothes. His founder stands over him lovingly, tenderly placing his custody on his sons back, while the ripened comrade looks on, arms folded in silent admonition. This was one of Rembrandts terminal pigmentings, completed just a year to begin with his death. His throw two sons, both in their twenties, had recently died of the plague. champion Christian writer, Henri Nouven, happened to see a poster of this createing. He was so becharm he travelled to St. Petersburg, Russia, to see it in person. He was able to spend hours alone before this life-sized work. It profoundly touched(p) him so much he wrote an entire book about it. Id like to quote Sister Wendy Becketts reflection on this painting: Rembrandt shows them lost in a silen t intimacy, the sons face half hidden, his poor, dim out(p) shoes falling from his calloused feet, his clothes ragged, his exhaustion palpable.
The generates cloak swells out in almost womblike protection, interbreed them in that one-to-oneness that is the essence of all relationships and cannot be judged by anyone else. The antiquated son looms judgmentally at the side, resentful, as stiff as his staff, a man of legal narrowness instead of love. He receives no embrace because he does not seek it, standing distant from the family. Questions: What emotions are the three main characters (the father, the pr odigal son, and the older brother) tag at ! this moment? Do you think the death of his sons influenced Rembrandt to paint this scene?If you want to get a full essay, clubhouse it on our website:
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